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GIORGOS FITSIORISΒ Bach's Chorales
Examined in a broader historical context of compositional and theoretical explorations (15th-18th centuries)
(In Greek Language)
EPN 765
ISBN 978-960-7554-64-2
Pages: 472
Size: 170 x 240 mm
| CONTENTS |
Pages
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| Β |
Β |
| INTRODUCTION |
vii
|
| Β |
Β |
| PART ONE |
Β |
| The tonal chorales: theory, analysis, and directions for harmonization |
Β |
| Β Β |
Β |
| CHAPTER ONE: Phrases and Cadences |
3
|
| CHAPTER TWO: Harmonization |
31
|
| CHAPTER THREE: Melody - melodic elaborations |
39
|
| CHAPTER FOUR: Parallel 5ths and 8ths |
55
|
| CHAPTER FIVE: Analytical application - harmonization rules |
79
|
| CHAPTER SIX: Harmonic rhythm in the Bach chorales |
95
|
| Β |
Β |
| Β |
Β |
| PART TWO |
Β |
| Systems of understanding and organizing the musical material: 1476-1732 |
Β |
| Β |
Β |
| CHAPTER SEVEN: Introductory remarks |
121
|
| CHAPTER EIGHT: The systems of 8 and 12 modes |
127
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| CHAPTER NINE: Is mode real?Β |
141
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| CHAPTER TEN: 17th century: a general view |
161
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| CHAPTER ELEVEN: The systems of 8 and 12 modes during the 17th century |
171
|
| CHAPTER TWELVE: Psalm tones - Church keys |
197
|
| CHAPTER THIRTEEN: 18th century: the first decades |
235
|
| Β |
Β |
| Β |
Β |
| PART THREE |
Β |
| The modal chorales |
Β |
| Β |
Β Β |
| CHAPTER FOURTEEN: Some characteristic instances of 'authentically' modal harmonizations |
265
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| CHAPTER FIFTEEN: Dorian chorales |
285
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| CHAPTER SIXTEEN: Phrygian chorales |
319
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| CHAPTER SEVENTEEN: Mixolydian chorales |
359
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| CHAPTER EIGHTEEN: Aeolian chorales |
401
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| Β |
Β |
| Β |
Β |
| BIBLIOGRAPHY |
435
|
| Β |
Β |
| INDEX OF MUSICAL WORKS |
445
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| Β |
Β |
| INDEX OF MUSICAL TERMS and MUSIC THEORISTS |
452
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