EVANGELOS BOUDOUNIS
RECITAL Nr. 11 for Solo Guitar
EPN 1292
ISMN 979-0-69151-745-1
Pages: 56
Size: 235 x 320 mm
Contents
BLUE SONGS
1. DEEP BLUE
2. SONG FOR MANOS
3. ELIA
4. OUT OF THE BLUE
SEVEN MINIATURES
1. CONVERSATION WITH ANDREAS
2. PROMENADE IN BÜCKEBURG
3. CONVERSATION WITH LEONIDAS
4. PROMENADE IN RINTELN
5. CONVERSATION WITH DIMITRIOS
6. PROMENADE IN MINDEN
7. CONVERSATION WITH MARY
HAMAM ROCK
SPRING SONGS
1. DITHESIO
2. STAHI
3. FEDRA
By publishing the first ten «Recital», our intent is to cover the repertoire of mainly the small guitar classes (Preliminary, Lower) but also of the older classes (Middle, Higher) with original works and adaptations. If we accept that attendance in each of these classes takes two to three years, then each of the issues in this series corresponds in some way to a year. Nobody, of course, is bound to play or teach the particular tracks in the given year, since the skills and performance of the students vary considerably. «Recital» does not include a study, since the most important studies of the guitar with the same pedagogical reasoning are already being released by the same «Panas Music» (Concert Studies 1, 2, 3, 4).
The works contained in «Recital» come from all the musical periods. They start from the 16th and reach the 20th century.
In particular, «Recital 1» and «No 2», without being methods (like the rest), are also intended to play an educational role, since the pieces they contain (also pedagogically placed) can solve many of the technical problems they face A young student of the guitar.
«Recital» No 11 and No 12 have a peculiarity. They contain exclusively my own compositions and one of the «String Demons» (Immortal to Olympus) which was first presented with 200 guitars at the Athens Concert Hall in March 2015. All these works are original and most have never been published.
At the same time, in collaboration with the Panas Music Music Publishing House and Dimitrios Doulias, we start a new series of books titled «Recital for two» exclusively with works for two guitars.
I want to thank Kostas Papagrigoriou and Charilaos Nakas who boldly took the risk of such an effort, and Dimitrios Doulia, who without him could not make such ambitious and original versions.
So I realized an idea that I had become obsessed with for many years, from the time I even started to teach.
Evangelos Boudounis
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